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A group of friends that became a family both on the tour bus as on stage. Steele’s incredibly low vocals, the hellish screams of Kenny, Josh’ ever present synthesizer giving an identity to each song, the constant drums of Johnny that kept everyone in check. They started the band as a side project from they everyday routines, never expecting the success and endless hours on the road during tours that were expecting them.
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We are talking about a band who got surprised at being showcased on Beavis & Butthead, and that probably never knew they are part of a lap dance scene in a Vampire: The Masquerade Bloodlines’ mod called “Clan Quest”. That innocence is what kept Type Of Negative tied for so many years, which benefit from its own inner charm and silliness. As the camera got closer Steele’s showed up, clapping while trying to take a shit. In an scene from the DVD “Symphony for the Devil”, we see the most horrible underground bathroom in history, filled with graffitis and a horrible stent that, while not tangible, is certainly perceived by the recording. But there was always an innocent humour into the equation. He always said that the way he dressed, using a black suit most of the time, was a signal of preparation for the inevitable deaths of friends and family.ĭark humour was always present, as well as absurd and grotesque scenes that plagued both their live shows and the DVDs released. We are talking about a person who attempted suicide, had to spend time in jail and that lived with a constant depression about his surroundings. But, in reality, most of them tackled real life issues that were tormenting the lead singer’s head on that time. Some of the lyrics, along with song titles, only became more and more illogical over time. The band enjoyed to mix hardcore with goth sounds, or even seventies’ pop from now and then. Hits like “ Christian Woman (Butt-kissing, Sell-out version)” on the bonus CD of “Life is Killing Me”, along with even crazier ideas like “ Gravitational Constant: G = 6.67 x 10-8 cm-3kg-1sec-2” carried the same identity from their attitude. One could think that songs such as “ My Girlfriend’s Girlfriend” or “ I Don’t Wanna Be Me” showed up as an intent to go towards a commercial patch, but that couldn’t be farther from reality. But hey, the album “Bloody Kisses” released on 1993 was the first platinum record of the brand, what could they do? The success did nothing but increase since. They couldn’t care less for the listeners nor their record label Roadrunner Records.
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Crying babies, torture machinery sounds, more moanings that I’ve ever heard in my entire life. Type O Negative didn’t care for anyone, something they were always implying in every song. Songs portrayed topics like lycanthropy, religion, white people, murder, depression and suicide. Type O Negative started their career on 1989, formed by Steele (who had been on two bands prior TON, called Carnivore and Fallout), Josh Silver (keyboardist and producer), Kenny Hickey (guitar and vocals) and Sal Abruscato (drums) who was replaced by Johnny Kelly in 1994. 1” surprised me at first, but going through their discography was an experience that, until this day, have never got old. I remember the first time I listened to the band. Throughout the years, Type O Negative never gave up this attitude. Later that night, the whole band showed up with tons of toilet paper and started screwing around, interrupting the concert completely. Ten years prior, during a performance by Pantera on 1995, the singer showed up and started sweeping the stage’s floor, where the singer Phil Anselmo was laying, getting hit with the broom. “The power of God compels you” came out from his mouth as “ Christian Woman”, one of their most iconic songs, started playing. In Wacken 2007, dressed as a priest with black shirt and a green collar, Peter -lead singer and bassist of the band- threw wine to the public. It was just the way Type O Negative’ crowd interacted with the band. “You suck!”, the public creamed, as if we were listening KMFDM’s audience, mocking but also cheering them at the same time. Who’s the real asshole here?”, Peter Steele said on the live version of “I Know You’re Fucking Someone Else”, a 15 minutes long song that featured moaning, a constant change of rhythm and an ever increasing brutality staring lyrics about a man finding out he has been, without any doubt, cheated. “You paid fifteen american dollars to get in here.
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